Between 1963 and 1964 the Beatles and the Rolling Stones laid siege to Western European and American culture. This two-pronged invasion from England was well-planned and well-timed. America had just suffered the shock of the assassination of President John Kennedy, while in the streets the mass-based civil rights movement had just held a Washington, D.C. rally, led by Martin Luther King, of 500,000 people. The rock counterculture would be used as a weapon to destroy such political movements.
Later in 1968 and 1969, years which saw a mass strike of students and workers in the United States and Europe, huge, open-air rock concerts were used to head off the growing discontent of the population. The rock concerts were devised as a means for mass recruitment to the drug-saturated, free-sex counterculture. For the millions who came to these concerts, thousands of tablets of the hallucinogenic drug, LSD, were made freely avaliable. These drugs were secretly placed in drinks such as Coca-Cola, turning thousands of unsuspecting victims into raving psychotics. Many committed suicide.
Less than a half century ago, our young children studied violin and piano, learning about the great classical composers such as Bach, Mozart, and Beethoven. As will be shown, the same record companies who today promote Satanic "heavy-metal" rock have run covert operations to destroy the musical heritage of these great classical composers.
Donald Phau, The Satanic Roots of Rock 40 Comments
[10/6/2007 1:25:36 PM]
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