Here at TomatoBubble.com, your favorite investigative reporter and his ferocious feline sidekick scour the Internet to bring you news and views that "they" don't want you to know about. Often times, we end up dismissing some of our most outrageous findings simply because, upon closer inspection, the claim cannot be substantiated to our satisfaction. We simply refuse to play the "anonymous sources" game.
We recently stumbled across an item which we found so profiundly disturbing that we initially suspected it to be a hoax for the simple reason that it was just a bit too "in your face" to be true. But alas, because the hour of "their" final triumph approaches so rapidly and so unimpeded, "they" evidently believe that there is no longer anything to fear about such blatant in-your-faceness as what we are about to present. We are sorry to have to say that the following story of the Paris White Genocide mural, and its craetor's background and connections, is indeed accurate.
SOME OF THE IMAGERY BELOW, THOUGH CARTOONISH IN NATURE, IS OBSCENE AND VIOLENT
A giant mural painting on the floor below Paris' iconic Eiffel Tower was completed in September of 2016 by a Los Angeles-based artist named Cleon Peterson. The bizarre "work of art" is titled, "Endless Sleep" -- an obvious reference to the coming "endless sleep" of the White Race. There is really no need for us to interpret the meaning of Peterson's obscenity. To all but the most brain-dead libtard, the massive 500 square-meter image, best viewed from the top of the Eiffel Tower while looking straight down, speaks for itself.
Have a look:
The Star of David at the center is an obvious tribute to the terrible Tribe that is behind White Genocide and to the House of Rothschild in particular. But don't take our word for it. Here it is, from a tweet, from Peterson himself:
Peterson, an "ex" heroine addict, tweeted out his gratitude to French banking couple Benjamin and Ariane de Rothschild. We suspect (though we have no solid evidence to present) that the "gratitude" is related to Peterson (with 10 helpers) having been commissioned to paint the disgusting White Genocide mural.
Should there be any remaining doubt as to what the Eiffel Tower floor mural truly symbolizes, a review of the self-loathing artist's earlier works -- depicting what he refers to as "the hedonistic triumphs of those who recognize themselves as victorious in the unfolding mirror of history" -- clearly confirms what Peterson and the Rothschilds are dreaming about. Be forewarned, these images are obscene and unsettling.
DON'T SAY WE DIDN'T WARN YOU!
-- and don't send us nasty E-mails for publishing them.
Before hooking up with the Rothschilds and painting Paris, Peterson was known for churning out scenes of torture, rape and mass murder of White people at the hands of Blacks --- a perfect hireling for the Rothschilds!
In his 1925 book 'Praktischer Idealismus', the half-Austrian / half-Japanese Globalist Count Richard Coundehove Kalergi boldly declared that the citizens of the future "United States of Europe" will not be White people anymore. In his own words, the man who is today regarded as one of the founders of "modern Europe" revealed the game:
"The man of the future will be of mixed race. The races and classes of today will gradually disappear due to the elimination of space, time, and prejudice. The Eurasian-negroid race of the future, similar in appearance to the Ancient Egyptians, will replace the diversity of peoples with the diversity of individuals.
Of course, Kalergi's chosenite paymasters will not be replaced or blended out by this "Eurasian-negroid race of the future". Wrote the hired hack of his beloved Rothschild bosses:
"Instead of destroying European Judaism, Europe, against her will, refined and educated this people, driving them to their future status as a leading nation through this artificial evolutionary process. It's not surprising that the people that escaped from the Ghetto-Prison, became the spiritual nobility of Europe. Thus, the compassionate care given by Europe created a new breed of aristocrats. This happened when the European feudal aristocracy crashed because of the emancipation of the Jews."
The artistic abomination at the Eiffel Tower is "The Kalergi Plan" --- in paint. The end game is upon us, and for those who think that the final stages of genocide will be manifested by a peaceful and gradual blending-out of the last remaining non-elite White Europeans, Peterson's previous paintings, and Rothschild's evident affinity for them, ought to dispel that delusion once and for all.
Kalergi, writing on behalf of Rothschild & Friends, foresaw the current Turd World invasion of Europe. The end to an aging and morally decadent White Europe will come violently for many.