It’s like a horror movie. Crazed killer zombies are butchering men, women and children. They rape and torture with impunity. Hearts and souls dead to any semblance of humanity, they lust for fresh blood and vow to “erase every living being.”

If Zionism is like a zombie movie, why not make a zombie movie about Zionism? Wait—that’s already been done. It’s called World War Z, and it came out in 2013, ten years before the Zionist genocide of Palestine shifted into overdrive.

Whether through serendipity or predictive programming, World War Z prefigured two colossal disasters that hadn’t yet happened at the time the film was made: the COVID pandemic and the post-October-7 genocide of Gaza. The plotline revolves around a virus-instigated global pandemic and the World Health Organization’s efforts to fight it. And the heart of the film is its Jerusalem sequence, in which the heroic Jewish State saves itself from the zombie virus by building a gigantic wall—until the wall is horrifically breached in scenes that seem to prefigure the phantasmagoric Israeli propaganda version of October 7th.
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So what do World War Z’s zombies stand for? “Palestinians” or “goys” would be an overly simplistic answer—though Max Brooks, Mel’s son, who wrote the novel on which the film was based, probably was thinking along those lines.
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Once we understand World War Z’s “zombies = Zionists” equation, the real meaning of the plot swims into focus. The virus-crazed zombies are trying to eliminate all of the non-infected people and take over the world. Where have we heard that before? It’s right out of Jewish eschatology, which awaits a Jewish messiah who will lead the Jews in conquering, exterminating, and/or subjugating all non-Jews. The questions that messianic Zionists in Netanyahu’s cabinet debate will be applied to the world’s entire non-Jewish population when the time comes, according to Jewish messianic-millenarian prophecy.