[From "Francis and the Mystical Cult of Multiculturalism"]

JORGE BERGOGLIO, aka “Pope” Francis, worships man. In a particularly vivid display of this reverence, he kissed the feet of politicians from South Sudan this week. His famous knee problems did not prevent him from getting to the floor.

Humble pie. A true pope would consider this kind of groveling before any politicians an affront to papal dignity.

But it is highly unlikely that Francis would have kissed the feet of just any politicians, as much as he might have embraced their politics. It’s not surprising this type of display was reserved for Africans.

Similarly, does he urge Japan or Kenya to take in millions of immigrants from alien cultures? No, he urges Western countries, and Western countries only, to subsume their own cultures and keep open their borders to all who seek entry. The European man, whether he lives in Italy or America, is urged to destroy the stable cultural environment in which he thrives, not Asians and Africans.

But why is this?

The Vatican II religion is a cult of man. The worship of man inevitably leads to the cult of the Other, to the worship of man most foreign to the culture of Europe, the wellspring of Catholicism on every continent.

[...]

For multiculturalists, “diversity” is just a code word for a forced, homogenous sameness. They seek to destroy the true diversity of peoples created by God. They are opposed to nature and to the adoration owed to God alone.

They kiss the feet of not just any man, but the non-European most of all.

Walk into a “Catholic” church today in an American suburb, and you will probably see a smiling picture of an African somewhere in the vestibule. Not that Africans can’t be just as much part of the universal Church or aren’t worthy of charity. But the ubiquity of African faces sends a political message. “See, we are multiculturalists too.” It’s pandering and demeaning to Africans, who must in many cases see through the vanity of it all. It’s all about the goodness of the worshipper, not the object of such attention, who is deprived of his real humanity when he becomes an idol.