On the Sept. 21, 2023 episode of his Rumble show, white nationalist Stew Peters interviewed E. Michael Jones[…]
Peters went on an angry rant about the Anti-Defamation League, which he compared to the Nazis

“For some people the Holocaust is their excuse for why they deserve absolute power today,” Peters said. “Because the Holocaust happened 80 years ago, they say, they get to create today’s Nazism, dressed up with words like ‘social justice,’ or ‘medical safety,’ or ‘the climate’

As he spoke, a graphic depicting President Biden and ADL Director Jonathan Greenblatt and the caption “Jewish Supremacy” appeared[…]
Peters said that, like the Nazis, the ADL “demand[s] mass censorship,” “engage[s] in blanket vilification of their enemies,” and “defend[s], and demand[s], mass street violence under the banner of BLM.” He added that the ADL “hit on this brilliant twist to keep their extortion racket going” which is to “claim to be anti-fascist” while “behav[ing] as much like fascists as they want”

After complaining that he was labeled antisemitic for blaming Jews for the sinking of the Titanic, Peters asked E. Michael Jones why accusations of antisemitism “have the power to shut down an argument”

Jones replied that “The answer to that is the Holocaust narrative. The Holocaust created Jewish privilege. It basically put a Jew like [Attorney General Merrick] Garland, who is supposed to enforce the law, it puts them above the law.” He also claimed that survivors of Auschwitz who were tattooed by the Nazis used those tattoos to put themselves “above the law”[…]
Peters told Jones to “Speak to the influence that the Jews have in our media here today”

In response, Jones gave a rambling answer about Jewish media control that he linked to the end of the Hays Code[…]
“The movie that broke the Production Code, which meant that the Jews did not have total monopoly over what came out of Hollywood, was The Pawnbroker. And The Pawnbroker was a Holocaust porn film”