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Tony and Ross Jeffries #sexist #magick #psychoceramics #psycho pickupguide.com

Patterns form the core of Ross Jeffries' Speed Seduction technique. Patterns are scripts of describing various wonderful states of mind and feelings to a girl, seemingly having nothing to do with you and her (for example by describing the wonderful feelings and states that music, dancing, eating strawberries and chocolate etc can create), but subconsciously getting her aroused… by what you're saying and in effect by you:) You can either link all those wonderful feelings you make her feel by what you're saying by self-pointing at appropriate times (which is what Ross Jeffries recommends), but the simple fact that you're there while she gets all those feelings and that you are the originator of them should do the job as well:).

Making her feel all those wonderful states not only means describing them to her, it also means giving her commands embedded in what you're saying to experience those states. Descriptions by themselves might not always work, she might not be paying too much attention and wander off in her thoughts, but once you've given her commands - "Feel it building... focus in on those feelings... surrender completely..." - she might first even be aroused by such commands by themselves, but she will definetly be much more attentive towards the descriptions you are about to offer.

Patterns also contain subconscious messages known as binder commands. For example, an excerpt from a pattern: "… that's the way to do it. Now, with me, its different, because…" incorporates a binder command of "DO IT! NOW! WITH ME!", which will bind all feelings and desires her arousal has created to YOU.

Once you have her attention, one of the most powerful methods of making her "feel" is using sexual metaphors. They sound innocent in the context of what you're saying, but she is bound to pick up on them and once you have her imagining all those phrases out of context… don't be surprised if she says has to go to the bathroom for a moment and you notice her seat is all wet:) A few examples of such phrases are: "Create an opening for it... feel that thought penetrate you.... you come over and over again to the same conclusion...". Now that you know what to look for, you'll find more phrases in the example patterns presented in this guide.

One rather dubious aspect of patterns is the so-called weasel phrases. For example the phrases "…these values are below me" pronounced "BLOW ME!", "…a feeling of happiness" pronounced "hap-PENIS!", "…in you're mind" pronounced "YOU'RE MINE!", "…thoughts flowing in a new direction" pronounced "NUDE ERECTION!", "...the sky is so beautiful" pronounced "THIS GUY IS SO BEAUTIFUL!" - these double-meaning pronunciations are supposed to give her subconscious messages, but the effectiveness of such attributes of patterning are slightly questionable though.

The main value of patterns remains in their ability to make a girl recall or imagine absolutely wonderful feelings and states of mind, while subconsciously linking them all to you.

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Alex Domnikov #sexist #psycho pickupguide.com

(Submitter’s note: “Patterns” are a type of PUA woo loosely based on discredited psychological theories, refering to techniques that supposedly allow one to straight-up hypnotise women into bed.)

The Door pattern

This one is the "bad boy" of all patterns. Anyone who has studied SS and NLP and has come into contact with the Door pattern, has found it to be evil and cruel, playing on the fears and deep insecurities of women. To give you an idea of how bad this pattern actually is - even Ross Jeffries himself has denounced this pattern and says that he does NOT encourage anyone to use it.

So... as always with stuff like that... "for educational purpose only":)

The Door pattern originated by Alex Domnikov. Mindlist:

"Whereas most patterns are about getting a woman into bed, The Door is aimed at controlling her after you've started sleeping with her. Other patterns that you've used on her have anchored immense pleasure to you. The Door creates an anchor for the loss of that pleasure.

You've already had intercourse with the girl. The ideal setting for the power of the door, which is a power and control pattern, is right after you've had intercourse and you're in bed with the girl, and at this time hopefully you've set up the fact that you're also the man of her dreams and fulfil her emotional needs. You're fooling around in bed, you've already had a great time, and you go, "sweetheart, what's that over there?" and you point towards the door. And she'll say, "well you know, that's a door, silly." And you say, "yeah, you know.. I'm a real positive person, but.. I mean, can you imagine.. I mean, you don't know what can happen from day to day, when you think about it in your mind. I mean, what would happen if I walked out that door and the door closed and as the door closed, it slammed shut, and no matter what you did, you could not open the door and you knew that you would never be able to look into my eyes again and you'd never be able to hear my voice again and you'd never be able to feel my touch again." Ok, right here is where she starts going, "I don't like this door business at all." And at this time you just reassure her.. "ok, alright sweetheart, you're right. You really shouldn't think about the door and you really don't have to think about the door." So you go back to playing around with her some more. Have some more fun with her, bring her to another orgasm or whatever and say, "you know, a terrible thing happened the other day. My friend was hit by a truck. I mean, it was awful, by the time they got him to hospital he was dead. I can't believe it, you know? It's almost as if, it would be a horrible thing you know when you think about.." (point towards the door) "..that no matter even if you were to get that door opened and you were to search, that you could never find me again.." Then she starts freaking out. You calibrate more on that part of, "you will never be able to see me again, you'll never be able to hear my voice again."

"You'll never be able.. all that fun we had together, all those great times we had together, walking along the beach, hand in hand in the moonlight, we would never be able to do those things again and even if you were to open that door, you would search and you could never find." And she's at the point where she's saying, "no no I hate this door. Let's stop this door now, are you trying to upset me?" And you say, "oh, I'm sorry sweetheart, I'm just saying these are just things that are popping into my mind, ok?" So play around some more. Get her good and nice and hot again, fool around, have a good time with her, joke, and then then get back into the door and say, "you know, God, still you know, about life's tragedies.. I mean, I just keep on thinking how.." At this point you can already see that this is starting to make her feel uncomfortable. You want to create that sense in her that you can walk out and she'll feel terrible for the rest of here life. You want to anchor that response. I'll get up and she'll say, "well what are you doing?" And I'll say, "I'm going to the bathroom." I go up to the bedroom door and slam it. That right there will freak her out. Then I'll open the door and say, "oh, I'm sorry. You know, I'm sorry, I'm just playing with this door again. You know, you really shouldn't think about this door now and you really don't want to think about this door now."

Having anchored that sense of loss and pain to the door, you can trigger it whenever needed. Whatever negative behavior may come up that you want to stop, the first time you just get up and slam the door. Whether you walk out the door depends on the level of bullshit. On later occasions you can just indicate tbe door in some manner. The example Alex gives: If he's talking on the phone and getting any crap from her, and he knows the relation of where the door is to her desk, he says, "sweetheart, could you please turn right and take a look at what's over there.." and that was the end of the bullshit."