What must be kept in mind for our present purposes is that cultural warfare during this intense post WW2 period was full spectrum in nature- taking every major branch of human life into account and extracting all traces of creative reason, universality, Freedom, and Truth anywhere it could be found.

Whether it was in the fine arts and music or whether it was in scientific practice, new dualisms were imposed severing logical thinking from the “pollution” of subjective emotions. Where the arts became shaped increasingly by hedonism liberated from reason (with a “high” post-modern art for the elites and a “low” populist art for the dumb masses), the sciences became governed by the dogmatic faith in cold mathematical sterility governed by “statistics”, entropy, and blind fatalism.

Random paint splashes of CIA-funded artists like Jackson Pollock or the fuzzy squares of Mark Rothko became the new artistic ideal while scientists found themselves trained to think like computers modelling their minds of the methods of Bertrand Russell’s Principia, Norbert Weiner’s Cybernetics and John von Neumann’s Information Theory. Bertrand Russell’s role coordinating the CIA’s Congress for Cultural Freedom should not be lost on anyone.

With the severing of creativity from reason, the minds of those processed by this new cultural field was increasingly shaped by blind rules and axioms enforced by expert consensus rather than personal acts of discovery. Computer modelling thus found itself replacing acts of genuine human thought and within this sterile intellectual climate, a new cult of artificial intelligence began to find fertile soil to grow its perverse roots.