The ideal of prudent distinction should insist that the ethno-European community be humanist enough to walk in the black community’s shoes and at least try to be empathetic and to consider their points of view. It must also hold out an olive branch of redemption to all peoples. However, the line is crossed and the gloves come off when the other communities engage in hostile, malevolent strategy and tactics that harm the white community.

The black community — and, in particular, its youth — largely convey their worldview through hip-hop and rap music. Given that this is their chosen method to communicate, it behooves the white community to examine it.
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As such, the ethno-European community must carefully examine the spirit and mentality with which rappers convey this lifestyle. If the music was sad, sorrowful and introspective, then empathy is highly appropriate. But it’s not really even “woe is me.” In fact, unfortunately, upon closer examination, much of the gangsta hip-hop/rap music genre actually seems to rejoice and relish in a sick, twisted, sadomasochistic self-destructive world of violence, degeneracy and evil.
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Unless blacks themselves are prepared to strongly disavow and censure this music within their own communities, then the white ethno-European community has no choice but to consider those (including the many useful-idiot whites) listening to it and supporting it as being heavily propagandized and influenced into being a hostile element to the life and security of ethno-European peoples. It leaves whites no other choice but to circle their wagons.

There are some blacks who see the downside and negativity going on in their own communities. But instead of owning up, they, too, often blame the music on “whitey.”

Winter Watch’s takeaway to the black community and the nature of the real threat: Man up and disavow.