My goal in this note is to interpret the Elder Futhark (old Norse rune alphabet, a.k.a. Viking alphabet) from the viewpoint that they are a collection of scientific diagrams pertaining to hyperdimensional physics and metaphysics.

The mythical origins of the Celts and Nordics suggests their ancestors were once a technologically advanced and partially fourth density (semi-4D) race who suffered a cataclysmic vibrational descent into 3D Earth, after which they became ever more divested of their supernatural powers by increasingly taking upon themselves the constraints of three dimensional space and linear time, whether through genetic intermixing with the indigenous population or through gradual acclimatization to the lower vibrational levels.

Now, according to rune mythology, in an act of self-sacrifice the god Odin hung himself upside down from the great tree Yggdrasil for nine days, during which the 24 runic symbols were revealed to him. Comparing this myth to other similar ones (see the book Hamlet’s Mill) makes it evident that the “world tree” is representative of our linear timeline with all its branches, i.e. the multiverse or fractal holographic matrix of spacetime.

When a higher being enters the lower realms and undergoes an act of suffering and sacrifice, that is crucifixion. Odin hanging from the tree, or Christ from the cross, is symbolic of hyper-dimensional consciousness entering and being crucified upon the cross of space-time. So this represents, at one level of interpretation, the semi-4D race falling into the darker 3D realms and being enchained by the constraints of space and time.