History will judge us on gender | Shonagh Dillon | The Critic Magazine

I’ve started calling things what they are, just to watch gender people squirm.

Trans woman = Man who pretends to be a woman.

Trans man = Woman who pretends to be a man

Gender = sex stereotypes

Puberty blockers = depriving children of the right to the natural process of physical and mental maturation

Gender affirmative care = approaching confused kids with the premeditated endgame that they are trans and require treatment.

Childhood transition = modern castrati

Top surgery = elective and medically unnecessary double mastectomy

Bottom surgery = flaying a penis and stuffing it into an artificial wound, or flaying skin from a thigh or forearm and grafting it onto a clitoris

Nonbinary = self-centered and aggressively average in every way except their ability to overestimate their capacity for original thought

“Be kind” = “shut up”

“Protect trans kids” = sterilize gay and autistic children with a smile

“Living your truth” = lying about everything you’ve ever authentically been

Egg cracking = “I am upset when we are not about me??”

Passing = LYING and sort of getting away with it

Gender euphoria = arousal

Trans lesbian = straight man

Preferred pronouns = compelled speech

Queer = ???????

Intersex = outdated term for people with an actual medical condition who have nothing to do with trans.

LGB = same-sex attracted individuals who have nothing to do with trans

Cis = mean-spirited, derisive moniker to label normal people without their consent

Woman = adult human female

Man = adult human male

Child = underage person who cannot consent to tattoos, piercings, sex, or sex changes

Kim Petras = castrato with octogenarian hips and no sex drive

Jazz Jennings = castrato with depression and obesity and no sex drive

Hormone treatment = intentionally creating a hormone imbalance

Trans rights = privileges the rest of us cannot access

It’s AMAZING how uncomfortable these so-called progressives are when you point out what they’re actually supporting, without the manipulative emotional music and hazy montages about “trans joy.”